AREA RECORDING / INSERT Audio clip into track.
Find a track that you want to test this one. make sure it has a lot of noise in the sample display.
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HIGHLIGHT a small area in the recorded track. This is where you will do your overdub
on the transport toolbar (where play and stop is) press the LOOP BUTTON (with two arrows going around) to LOOP the highlighted sample.
This is not for looping. it's for manually MARKING the section you are about to punch and roll record with. JUST MARKERS FOR REMEMBERING POSITION.
Now go to menu transport->recording->PUNCH AND ROLL RECORD.
It will giVe you five second of play. then start recording. It doesn't matter how big sample track you make. it all get's truncated off.
RECORD -> Done RECORDING Press STOP.
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NOW MAKING NOTE OF THE LOOP MARKERS!:
move the mouse and drag the track bar around the track till you hit the far LEFT LOOP MARKER. the line should turn yellow AS THE TRACK LINE snaps into place.
Now HIGHLIGHT and move the mouse to the far RIGHT LOOP MARKER. it too will also turn yellow when it's on the loop marker..
Later you will have to restore the original punch and roll record HIGHLIGHT of data.
IMPORTANT: make sure you have both LEFT and RIGHT sides of the loop marker with your cut and paste HIGHLIGHT. It only works if you do.
This is so you have your punch and record data the exact same side of the AREA RECORD YOU WANT OVERDUBBED into the track.
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now CUT the highlighted data out of the track. This saves a copy of it.
EDIT MENU -> 1:UNDO cut then 2:UNDO record
This will bring you all the way back to the original track data with the punch and record AREA highlighted.
Simply PASTE overtop of the highlight and you are all overdub done. remember the loop markers have to be extact when you highlight the second time.
you can zoom the track up a lot. but makr sure if the markers are there and they are both yellow lines from them you hae a good chance of success.
You have now recorded and inserted into track sound data..
1: Highlight an area to punch and roll record into
=================V====================V================== original track data
2:Set loop markers as manual data markers for punch and roll record
< > Mark it with loop markers
=================V====================V==================
3:punch and roll record. notice the loop markers. I went past it
< > Mark it with loop markers
=================V--------------------------------------------------
4:get real data block. highlight the area insert. use markers. will yellow
< > Mark it with loop markers
================|--------------------------|------------------------ old original track data gone from punch and roll record function
5:cut the loop marked highlighted data from track.
< > Mark it with loop markers
================| |------------------------
6:UNDO cut UNDO record
7::after the undos you will be back at when you first highlighted punch and roll.
<| |> Mark it with loop markers
=================V=============V==================
| |
8: Simply paste the copy and paste buffer overtop of the highlight. PASTE new punch and roll data within the full track.
<| NEW INSERT |> Mark it with loop markers
=================V-------DATA---------V==================
original track data | new insert data | remaining original track data
It's that easy. No more punch and record to the end of the track. wiping out all the data from a record and play.
FOUND "UNKNOWN" MUSIC SCALES IN Aug 1987 I EMBARKED ON A MISSION TO UNCOVER AND FIND HIDDEN MUSIC SCALES BASED ON THE ONES WE CURRENTLY HAVE. FROM THE MAJORS, MINORS AND ALL DATA I COULD FIND, I PERSISTED IN WRITING A COMPUTER PROGRAM (THAT I STILL HAVE) TO FIND THE MISSING MUSIC SCALES FOR A COMPLETE SET. THESE WERE FOUND SHORTLY AFTER THE PROGRAM WAS WRITTEN ON AN AMIGA 500 AND TOOK JUST OVER 3 DAYS TO FIND ALL THE OTHER POSSIBLE SCALE POSITIONS THAT WERE NOT LISTED ON KNOWN SCALES. I WILL POST ONE FOR YOU. I CALL IT A JATZEK TRIPLE SHARP. IT HAS 12 TRANSPOSES OF IT. I CONSIDER IT A TEMPLATE. AS ALL SCALES ARE. SO ALL POSSIBLE CONFIGURATIONS FOR MY FOUND SCALES ARE NOT ONLY REGISTERED COPYRIGHTS FROM THOSE TIME ERAS. THEY ARE ABSOLUTELY EXCLUSIVELY OWNED BY MYSELF AND ONLY MYSELF. "PHILIP JOHN JATZEK" HERE IS ONE FOR YOU TO LOOK AT. NO RECORDING ETC ARE ALLOWED. JUST POSTING IT TO SHOW YOU THY ARE REAL. I DO NOT NEED THEM VERIFIED AS THE PROGRAM ALREADY DID THE VERIFICATION OF NEW SCALES WHEN IT GENERATED THEM ALL. I HAVE THEM ALL LOCKED UP UNDER INTERNATIONAL INTELLECTUAL PROPRIETARY EXCLUSIVELY OWNED BY PHILIP JOHN JATZEK BUT FOR ARGUMENTS SAKE HERE IS THE REG NUMBER.
BANNED Dissonant Or Completely New Music Scale(s)
(reg: 385044) MUSIC MASTER Copyright 1988-2020 by Philip John Jatzek all rights reserved!
(reg: 385044) MusicMaster - Copyright 1988-2020 by Philip John Jatzek all rights reserved! NO ENTITY(S) MAY USE THESE MUSIC SCALE TEMPLATES WITHOUT PRIOR HAND WRITTEN WITNESSED BY LAWYER PERMISSION BY PHILIP JOHN JATZEK.This is for one time viewing purposes only. Absolutely no copies of this material are allowed. UNKNOWN SCALE(S) belonging solely to Philip John Jatzek and ARE to be treated as such. For Your Eyes Only. Before reading this article you must agree this is a non-disclosure agreement. Meaning: you will not talk, copy or divulge in any of the material and/or information disclosed to ENTITY(S) If YOU DO NOT AGREE. STOP READING NOW! DO NOT READ THIS ARTICLE!. THIS UNKNOWN MUSIC SCALE IS TO BE FOR THIS DISPLAY ONLY (NOT UNLIKE A MUSEUM) NOT TO BE EXPLOITED IN ANY WAY.it's called breach of trust and worth $200,000,000 in USA currency in awards of court. ask bill gates and Intel case reference. This groups and all it's contents are also protected by international copyright laws and are not to be copied by any entity whatsoever. YOU HAVE AGREED. ONLY FOR VIEWING PURPOSES ONLY. EXCLUSIVELY OWNED BY PHILIP JOHN JATZEK
THIS REPRESENTATION WILL APPEAR AS A GUITAR FRET BOARD
ALL POSSIBLE TRANSPOSITION OF ORIGINAL SCALE EXCLUSIVELY OWNED BY PHILIP JOHN JATZEK!!!!!!!
| A | A# | | C | | D | | E | F | F# | | |
| A | | B | | C# | | D# | E | F | | | G# |
| | A# | | C | | D | D# | E | | | G | G# |
| A | | B | | C# | D | D# | | | F# | G | |
| | A# | | C | C# | D | | | F | F# | | G# |
| A | | B | C | C# | | | E | F | | G | |
| | A# | B | C | | | D# | E | | F# | | G# |
| A | A# | B | | | D | D# | | F | | G | |
| A | A# | | | C# | D | | E | | F# | | G# |
| A | | | C | C# | | D# | | F | | G | G# |
| | | B | C | | D | | E | | F# | G | G# |
| | A# | B | | C# | | D# | | F | F# | G | |
| A | A# | | C | | D | | E | F | F# | | |
THERE ARE OTHER MUSIC SCALES FOUND. BUT THIS IS THE ONLY ONE I WILL PLACE ONLINE. THEY ARE BOXES UP, SECURE AND SAFE FOR NOW. ENJOY THIS MIND MAZE. FIRST PUBLICATION WAS IN 2001. IT HAS BEE POSTED A FEW TIMES SINCE THEN. INCLUDING A ARTICLE TO OKANAGAN COLLEGE VERNON CAMPUS. CHEERS PEOPLE. I WROTE "X - ENDLESSLY" --- https://www.roaring.biz/m/sounds/view/JATZEK-X-10-Endlessly ---- WITH IT. KINDA FUN SONG and was the very first song ever written with one of the scales.. HAD TO TUNE IT A LITTLE DIFFERENTLY. Also Note Philip John Jatzek has registered copyrights for these music scales (scale templates) dated back to musicmaster the program that created them in 1988. There public release showing these music scales (scale templates) is not public domain. The copyrights are clear. Philip John Jatzek owns them. In order for you to legally use them (scale templates) you must have permission in writing legally contract and Philip John Jatzek wants royalties on all music that uses these music scales (scale templates) on any instrument that uses them.
PHILIP JOHN JATZEK
MAY 6 2020
JATZEK - SongWriting - $200 a song and up. Leave me email at admin@roaring.biz payment through paypal. Willing to spend a day and write a song for you!
Put it on usb stick and have it ready for you. All you need to do is give me a topic and a brief song lyrics idea and I will go from there.
Basic songwriting with guitar and lyrics recorded to usb $200.
