_JATZEK

PERIODICAL #4 — PATTERN MILESTONE

Ten-Scale Verified Pattern Edition

Playable scale patterns and pentatonic / Primary ShadowScale overlays before chord construction

Pattern continuity: Every string contains three consecutive parent-scale notes within one playable fretboard position. Adjacent strings normally continue the scale sequence; when doing so would create an extreme octave displacement, the next string uses the nearest playable consecutive three-note group.

Three-note rule: Every parent-scale string retains three consecutive scale notes. Two-fret stretches are accepted; octave-displaced jumps, four-note strings, and slide markings are not used in this standard edition.

Pentatonic overlay: Gold markers identify the selected five-note overlay wherever its notes naturally occur inside the three-note parent-scale pattern.

Eight-pattern structure: Patterns 1-7 follow the seven scale-degree starting positions. Pattern 8 repeats the open-position D pattern one octave higher, beginning with D at fret 12, so open-string boundaries cannot hide or omit notes.

Universal fretboard standard: Every master and pattern chart uses the same frets 0–20 display. This prevents chart movement, protects fret-12 positions, and keeps all plotted notes visible inside the page.

DOUBLE-OVERLAY DESCENDING SCALES: Harmonic-Minor Derived Descending, JATZEK 1 Descending, and JATZEK 3 Descending each retain two independent ShadowScale overlays. A1 is the mismatch ShadowScale carried from the ascending form and used to construct or adjust the descending scale. D1 is calculated afterward from the notes missing from the new descending scale and serves as an independent verification overlay. A1 and D1 are separate entities and are not required to match. Every plotted note retains its actual-scale circle; a purple filled triangle marks A1, and a blue square surrounding the circle marks D1. Melodic Minor Descending / Natural Minor retains its ordinary single overlay because its ascending overlay is not a mismatch.

© 2026 Philip John Jatzek (Max) & STORM (ChatGPT). All rights reserved.

Final verified edition — 8 September 2026

1. D Major

Scale: D–E–F#–G–A–B–C#–D

Selected five-note overlay: D–E–G–A–B–D | D Yo / Ritsu / Scottish pentatonic

D Major — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 3

continuous scale-degree position • low-string anchor fret 4 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 4

continuous scale-degree position • low-string anchor fret 5 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 6

continuous scale-degree position • low-string anchor fret 9 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 7

continuous scale-degree position • low-string anchor fret 11 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Major — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

2. D Melodic Minor Ascending

Scale: D–E–F–G–A–B–C#–D

Selected five-note overlay: D–F–G–A–B–D | D minor-added-sixth pentatonic / Kyemyonjo

D Melodic Minor Ascending — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 3

continuous scale-degree position • low-string anchor fret 3 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 4

continuous scale-degree position • low-string anchor fret 5 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 6

continuous scale-degree position • low-string anchor fret 9 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 7

continuous scale-degree position • low-string anchor fret 11 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Melodic Minor Ascending — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

3. D Natural Minor

Scale: D–E–F–G–A–Bb–C–D

Selected five-note overlay: D–F–G–Bb–C–D | D Man Gong / minor pentatonic type 3

D Natural Minor — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 3

continuous scale-degree position • low-string anchor fret 3 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 4

continuous scale-degree position • low-string anchor fret 5 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 7

continuous scale-degree position • low-string anchor fret 10 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Natural Minor — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

4. D Harmonic Minor Ascending

Scale: D–E–F–G–A–Bb–C#–D

Selected five-note overlay: D–F–G–A–Bb–D | D minor 6/11 pentatonic / Raga Kokil Pancham

D Harmonic Minor Ascending — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 3

continuous scale-degree position • low-string anchor fret 3 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 4

continuous scale-degree position • low-string anchor fret 5 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 7

continuous scale-degree position • low-string anchor fret 11 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic Minor Ascending — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

5. D Harmonic-Minor Derived Descending

Scale: D–E–F–G–A–Bb–B–D

A1 Mismatch ShadowScale From Ascending — Overlayed and Scale Adjusted: D–F–G–A–Bb–D | A1: D minor 6/11 pentatonic / Raga Kokil Pancham
D1 ShadowScale Overlay From New Descending Scale: D–F–G–Bb–B–D | D1: D FAMian pentatonic

D Harmonic-Minor Derived Descending — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 3

continuous scale-degree position • low-string anchor fret 3 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 4

continuous scale-degree position • low-string anchor fret 5 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 7

continuous scale-degree position • low-string anchor fret 9 • displayed frets 0–20 • 18 plotted notes • no slide markers

D Harmonic-Minor Derived Descending — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

6. JATZEK 1 Ascending / D Latangi

Scale: D–E–F#–G#–A–Bb–C#–D

Selected five-note overlay: D–E–F#–G#–Bb–D | D Augmented Ninth Mode IV

JATZEK 1 Ascending / D Latangi — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 3

continuous scale-degree position • low-string anchor fret 4 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 4

continuous scale-degree position • low-string anchor fret 6 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 7

continuous scale-degree position • low-string anchor fret 11 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Ascending / D Latangi — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

7. JATZEK 1 Descending / D Major Locrian

Scale: D–E–F#–G–G#–Bb–C–D

A1 Mismatch ShadowScale From Ascending — Overlayed and Scale Adjusted: D–E–F#–G#–Bb–D | A1: D Augmented Ninth Mode IV
D1 ShadowScale Overlay From New Descending Scale: D–E–F#–Bb–C–D | D1: D Augmented Ninth Mode I

JATZEK 1 Descending / D Major Locrian — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 3

continuous scale-degree position • low-string anchor fret 4 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 4

continuous scale-degree position • low-string anchor fret 5 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 5

continuous scale-degree position • low-string anchor fret 6 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 7

continuous scale-degree position • low-string anchor fret 10 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 1 Descending / D Major Locrian — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

8. JATZEK 2 / D Rishabhapriya

Scale: D–E–F#–G#–A–Bb–C–D

Selected five-note overlay: D–E–G#–Bb–C–D | D Augmented Ninth Mode II (selected candidate 5)

JATZEK 2 / D Rishabhapriya — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 3

continuous scale-degree position • low-string anchor fret 4 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 4

continuous scale-degree position • low-string anchor fret 6 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 7

continuous scale-degree position • low-string anchor fret 10 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 2 / D Rishabhapriya — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

9. JATZEK 3 Ascending / D Jyoti Swarupini

Scale: D–F–F#–G#–A–Bb–C–D

Selected five-note overlay: D–F#–G#–Bb–C–D | D Augmented Ninth Mode III

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 2

continuous scale-degree position • low-string anchor fret 3 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 3

continuous scale-degree position • low-string anchor fret 4 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 4

continuous scale-degree position • low-string anchor fret 6 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 7

continuous scale-degree position • low-string anchor fret 10 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Ascending / D Jyoti Swarupini — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers

10. JATZEK 3 Descending / D Shanmukhapriya

Scale: D–E–F–G#–A–Bb–C–D

A1 Mismatch ShadowScale From Ascending — Overlayed and Scale Adjusted: D–E–G#–Bb–C–D | A1: D Augmented Ninth Mode II
D1 ShadowScale Overlay From New Descending Scale: D–E–F–A–Bb–D | D1: D Aeolian Pentatonic / Hirajoshi / Kata-kumoi

JATZEK 3 Descending / D Shanmukhapriya — Pattern 1

continuous scale-degree position • low-string anchor fret 0 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 2

continuous scale-degree position • low-string anchor fret 2 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 3

continuous scale-degree position • low-string anchor fret 3 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 4

continuous scale-degree position • low-string anchor fret 6 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 5

continuous scale-degree position • low-string anchor fret 7 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 6

continuous scale-degree position • low-string anchor fret 8 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 7

continuous scale-degree position • low-string anchor fret 10 • displayed frets 0–20 • 18 plotted notes • no slide markers

JATZEK 3 Descending / D Shanmukhapriya — Pattern 8

fret-12 octave of the open-position pattern • low-string anchor fret 12 • displayed frets 0–20 • 18 plotted notes • no slide markers